Angst-filled Sputum in EFEEGA War of Ants – A Review by Akwu Sunday Victor

Poetry serves diverse functions to man. In societies that decorum is enforced
by the rule of law, poetry loses its revolutionary potency and is seen as art,
existing for its own sake. However, in Nigeria, a country where abnormalities
have been normalized, illegalities legalized, poetry loses its elitist place of
domicile and becomes a tool in the arsenal of the subaltern class in class.
Thus, the place of angst-filled poetry is still relevant even in the Twenty
First century. Idris Amali, a professor of Oral Literature is a contemporary of
Niyi Osundare, Okimba Launko, Tanure Ojaide, Ezenwa Ohaeto and other second
generation Nigerian poets. The poetry collection, EFEEGA War of Ants, is
divided into seven subsections and each has a title: “Desert of Needs”, “Pride
in Filth”, “Restless Abodes”, “Struggle”, “Exchanges”, “Dine with the Past” and
“War of Ants.” The collection, more so, has sixty five poems.
The cover page of the collection speaks volume of
its thematic thrust. A dead elephant lies under a bloody and chaotic moon and
ants meander over the gigantic dead beast, lacerating its armored skin with
angry mandibles. Professor Bello Bada in his endorsement of the poetry
collection says, that, “in this new volume, EFEEGA: War of Ants, the poet exposes
the elephant – a behemoth that must be dethroned for the restoration of decency
and sanity.” Indubitably, in the mood of jeremiad, the poet laments the
devastation of the nation’s treasury and natural resources by the gluttonous
and greedy ruling elite. Most of the poems are laced with images of squalor,
misery and impoverishment which are orchestrated by the absence of good
leadership. In the poem, “From the Pond,” an image of a young herdsman is
painted. The fellow “squats” beside a filthy pond where his cows are splashing
filthy water in the air and begins drinking. This specimen of nature who is
immune from material advancement of humanity will later assume the throne and
become leader tomorrow. The poets wails thus, ‘He lives
today in a pool with his cows/ And from the cow pond to govern our thoughts/And
administer our welfare” (19).